ARTISTS | 18+ of Michael Snow’s Walking Women (1961-67)
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What can I say? I’ve been smitten with Michael Snow ever since his Walking Women found a place to stand in Macy DuBois’s fantastic Ontario pavilion at Montréal’s equally marvelous expo 67.
The way his Walking Women series encapsulates a woman of a certain era in a variety of guises intrigues me.
Michael Snow, hero.
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New York Eye and Ear Control, 1964 b/w, sound/noir et blanc, son, 34 min © 1999 Canada Council for the Arts
In 1964, Snow created the film New York Eye and Ear Control which featured “the walking woman”—a cutout two-dimensional silhouette of a woman that was a recurrent image in his work at the time—in various locations in New York. For the film’s soundtrack, Michael recruited an all-star line up of musicians: Albert Ayler, Don Cherry, John Tchicai, Roswell Rudd, Gary Peacock, and Sunny Murray. This collaboration was significant for several reasons, not the least of which is the fact that Snow asked the musicians to create music that was entirely improvised without reference to any pre-composed melody or “head” as had been their custom up to that time.
– Critical Studies in Improvisation
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Quatre panneaux gris et quatre figures, série « Walking Woman » Musée des Beaux-arts de Montréal
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Biographie of the walking woman = de la femme qui marche : 1961-1967 (2004)
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“Snow, walking woman” by PinkMouse, Flickr
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Little Walk (1964) Using his iconic Walking Woman motif (which he would use throughout the 1960s in paintings, sculptures and installations), this was one of two short, experimental films Snow made in 1964
Noon and Skirt, from the Walking Woman Series, 1964, Winnipeg Art Gallery
Drawing on newsprint (Village Voice) with printed Walking Woman silhouette. February 4, 1965. 1965. Charcoal and gouache on newspaper, 42.6 x 29.2 cm, Museum of Modern Art. © 2008 Michael Snow
Test Focus Field Figures, 1965, spray enamels on canvas, 154.2 cm x 200.2 cm
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Shadow shadow, 1963, painted wood, 66.6 x 50.2 x 81.3 cm
At the Ontario pavilion, expo 67, Montréal:
Venus Simultaneous, oil on canvas on wood, Art Gallery of Ontario
Rolled Woman II, 1961, oil on paper, board and wood, cardboard tube/huile sur papier 72.5 x 48.8 x 6.2 cm, Collection of the Leonard & Bina Ellen Art Gallery, Concordia University
Expo Walking Woman, 1966, stainless steel, ten separate sculptures, variable arrangements 230.5 x 91.5 cm, Art Gallery of Ontario
Expo Walking Woman, 1967, wood, stainless steel 230.5 x 91.5 cm, Art Gallery of Ontario
Mixed Feelings, 1965, acrylic on canvas, 253.5 x 150.5 cm, Vancouver Art Gallery
Cala Bley, 1965, offset lithography, rubber stamp, 66 x 51 cm, Art Gallery of Ontario
Walking Woman Silhouette Pin, right facing, Art Gallery of Ontario Gift Shop
Walking Woman Silhouette Pin, left facing, Art Gallery of Ontario Gift Shop
Michael Snow in New York, 1964, and Toronto, 2010
IMAGE CREDITS > Click on photo
National Gallery of Canada CyberMuse | The genesis of the Walking Woman – Biography of the Walking Woman PDF
National Gallery of Canada CyberMuse | Meet the Artist > Michael Snow
Critical Studies in Improvisation | Michael Snow and Jesse Stewart in Conversation, Toronto, 12 November 2005
tiff | Canadian Film Encyclopedia > Michael Snow
Le Fresnoy | Solo Snow PDF
The Walrus | Riffing: Jazz inspired Michael Snow, the most influential Canadian artist of all time, to explore the unexplored
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- 2011/01/27 / 15:02
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